Roksanda pejovic muzika minulog doba pdf download
The music of Greece and Rome is analyzed in a similar manner. Following a text on medieval monophonic and polyphonic singing, there is a chapter on the music of Byzantium. Different forms of secular music are mentioned, while sacred music is examined in detail from the structure of the liturgical ritual, to a detailed hymnography, to the structures of melodies and notation.
This is followed by a chapter on Serbian music, with three units Serbian medieval music, the period of the Turkish rule and music of the 18th century which is immediately followed by an analysis of church and secular music of the West up to the Renaissance, with a series of examples and theoretical principles based on the practice of monophony and polyphony.
A large chapter on Renaissance music is divided into vocal and instrumental practice, within which the most important authors are highlighted. The chapter on Baroque music, with large units on opera, vocal- instrumental and instrumental music, is organized according to countries and their most significant representatives, particularly singling out the works of Johann Sebastian Bach and Georg Friedrich Hndel.
It could not be said that this book has brought new revelations concerning the history of music with regard to already established values. Its value lies in the extremely systematic handling of broad developmental lines of the music of an extensive period and dynamic and intense events, when forms matured and harmonic structures were formed, on many of which music still rests today.
The structure of each of the chapters has certain similarities in the division into vocal and instrumental music, in the emphasis on differences between particular countries, in highlighting the most significant representatives of certain epochs, the most important authorial works or characteristic forms as well as differences in the treatment of these units, depending on their place and importance in the epoch being analyzed.
The numerous analyses and the musical texts these analyses refer to provide the clearest explanations of particular notions and phenomena, while a special segment of the book contains only musical texts of the more important works from that period. Using the benefits of multimedia equipment, the authors also designed a compact disc with compositions or parts of New Sound 26Sneana Nikolajevi Roksanda Pejovi: Muzika minulog doba Music of Times Past longer cyclical forms which are characteristic of both the epochs they were created in and the production of their authors.
This book started a project which will, with further chronological development of the material, certainly gather new collaborators and by extension strive both for the creation of comprehensive surveys and general views and for a further study of each individual thematic unit. There will be many dilemmas concerning the relationship between European and our music heritage, the issue of the choice and standing of authors and their work and the relationship between the micro and macro structures of the text itself.
Nonetheless, many indications seem to show that, by its historical, theoretical and esthetical achievements, our musicology is able to rise to this challenge. Translated by Jelena Nikezi. Uzelac, M. Milan Uzelac: Filozofija muzike. Hitovi narodne muzike 1. Predavanja: Doc. Plan Srednje Muzike kole. Moc Muzike. Istorija muzike. Ana Karenjina-Lav Nikolajevi Tolstoj-rezimei. Despic: Teorija muzike; D. Skovran i V. Teorija muzike. U korpu. Principles of Helicopter Aerodynamics by Gordon P.
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Pored horova, savremenici Stevana Mokranjca komponovali su opere, instrumentalne i vokalno-instrumentalne opuse, solo-pesme. Pored standardnih dela, postavljene su bile opere P. Borodina i M. Beogradska filharmonija, osnovana
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